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・ The Wound of Separation
・ The Wound-Dresser
・ The Wounded
・ The Wounded Angel
・ The Wounded Buzzard on Christmas Eve
・ The Wounded Cuirassier
・ The Wounded Deer
・ The Wounded Land
・ The Wounded Lion
・ The Wounded Man
・ The Wounded Man (film)
・ The Wounded Man (painting)
・ The Wounded Philoctetes
・ The Wounded Sky
・ The Wounded Surgeon
The Wounded Table
・ The Wounds
・ The Wounds of Civil War
・ The Woven Path
・ The Woven Whisper
・ The Wow Factor
・ The WOW! Awards
・ The Wozard of Iz
・ The WQXR All-Day Bach Organ Marathon
・ The Wraith
・ The Wraith (1957 film)
・ The Wraith of Haddon Towers
・ The Wrap-Up Show
・ The Wrath of Con
・ The Wrath of God


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The Wounded Table : ウィキペディア英語版
The Wounded Table

''The Wounded Table'' (''La mesa herida'' in Spanish) is an oil painting by Mexican artist Frida Kahlo. In ''The Wounded Table'', Kahlo is no longer a bewildered child but an adult-sized Kahlo sitting at the table. Kahlo bleeds as a martyr for Mexicanidad, she comments on the performative aspects of Mexican identity. It supports Roger Bartr’s analysis of post-revolutionary culture. In the Wounded Table, Kahlo parodies the stereotypes of mexicanness.
A Tehuana-clad Kahlo shares a long table with the cord- and dynamite-wrapped male figure and the skeleton of Four Inhabitants. Her long dark hair is lifted up and draped over the skeleton's arm, tying the two figures together. Seated between Kahlo and the skeleton is a small Nayarit sculpture. The long arm of the sculpture extends toward Kahlo and, near her shoulder, merges with hers. Blood oozes from wounds in the table, the man's feet, and the skeleton. It pools near the hem of the Tehuana dress and splatters onto the skirt. Blood is never far removed from the heart, and in this particular work the skeleton is touched by the bloodheart linking the skeletal death figure with the heart-life.
==References==


抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「The Wounded Table」の詳細全文を読む



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